The latest entertainment news from top Hollywood sources
The organizers of an open letter raising the alarm over Vincent Bolloré’s growing control of France’s entertainment and media sectors have responded to comments by Canal+ CEO Maxime Saada that his group will no longer work with the signatories. “These intimidation tactics are typical of his group’s
The BBC’s new director general Matt Brittin has warned that “tough choices are unavoidable” in his first memo to staff. Describing himself as a “lifelong fan of the BBC,” the former Google executive opened the missive by saying that over the last few weeks he has been meeting teams in England, Wales
The French auteur's new film, whose cast includes Adèle Exarchopoulos, Paul Kircher and Malou Khebizi and which is set in Nantes in 1978, world premieres in the Cannes Premiere program on the Croisette.
Subnautica 2, the highly anticipated sequel, is now available in early access for PC and Xbox Series X/S.
New BBC Director General Matt Brittin is not wasting any time on day one, telling staff early Monday morning that the nation’s 100-year-old public broadcaster needs to “experiment more bravely” and that he wants to “reinvent public service broadcasting for the 21st century.” In a note to staff, seen
Grand Theft Auto VI is finally starting to make some moves, and one store has seen enough and set pre-orders live.
EXCLUSIVE: Signature Entertainment has acquired UK & Irish rights to Asa Butterfield thriller Our Hero, Balthazar from Visit Films. Butterfield (Sex Education), stars with Jaeden Martell (Knives Out), Jennifer Ehle (The King’s Speech), Noah Centineo (To All The Boys…) and Chris Bauer (Thunderbolts).
Grab your Repair Tool and head out to where the Needler Mangos dwell in Subnautica 2—we're going Enamel-hunting.
The Oscar-winning actress was honored at the annual glam event in Cannes spotlighting women in cinema.
Lifted from his poem “Flowers of Evil,” the Charles Baudelaire quote that opens “Cantona” — “I am the wound and the knife/I am the blow and the cheek/I am the limbs and the wheel/Victim and executioner” — would seem like overkill in a documentary about pretty much any sporting figure besides Eric Ca
Russell T. Davies’ queer Channel 4 drama about “the radicalization of society” and how “the voices that were online are transferring into the real world” could have been written about many different minority groups today, the writer has said. Davies’ Tip Toe spotlights the LGBTQIA+ experience in Man
Félix de Givry and Milo Machado-Graner discuss the Critics' Week closing film, moving from dark heaviness to more light, and why the French movie is a throwback to another period in cinema history.
The 34th Raindance Film Festival has unveiled its complete program, with 85 narrative and documentary features, 112 short films and 27 immersive projects set for the June 17–26 run in London. Forty-eight of the features – 56% of the total – come from first-time directors, and a new best horror featu
The documentary 'Eddie Cochran: Don't Forget Me' will close out the 34th edition of the London film festival, which will also screen the likes of 'Pinocchio Unstrung' with Robert Eglund.
A24 has picked up global rights to Jordan Firstman’s Un Certain Regard breakout.
The first feature from Hélène Rosselet-Ruiz, produced by Marie-Ange Luciani of 'Anatomy of a Fall' fame, revolves around two women and a Saudi prince and debuts in the Cannes Special Screenings lineup.
Adapted from Mieko Kawakami's acclaimed novel, this accomplished Un Certain Regard entry co-stars Yukino Kishii as a solitary Tokyo copy editor whose tentative love affair unfolds against philosophical meditations on light and self-determination.
From Almodóvar to a new generation of auteurs, Spain has arrived at Cannes 2026 in historic fashion — and the industry behind it has never been in better shape: "Spanish cinema is in a very exceptional situation right now."
The Michael Jackson biographical drama “Michael” comfortably claimed the top position at the South Korean box office during the weekend of May 15–17. According to data from KOBIS, the tracking service operated by the Korean Film Council, the Lionsgate and Universal Pictures international release ear
“I feel relieved,” Marie-Clementine Dusabejambo says with a relaxed smile. After more than a decade in development, she has just wrapped on Ben’imana, a bold and formally inventive film about Rwanda and the complex bonds that connect its citizens following the brutal 1994 Tutsi genocide. Ben’imana